Monthly Archives: May 2016

Future Present Past

2016_TheStrokes_CultRecords_260516Happy Strokes Day! (Yesterday)

2016 has been a pretty good year for new releases, well, for me. There was Radiohead’s A Moon Shaped Pool which is beyond words, because I don’t think I’m capable enough of putting brilliance of that standard into words. There was also Chance The Rapper’s Colouring Book, Weezer’s White Album, Wild Nothing and Jake Bugg (actually only a couple of songs from him). So many more releases this year that I’ve been excited about. But the holy grail of releases has just happened and it’s The Strokes’ Future Present Past EP.

This band has been with me while I still had Sony Ericsson phone with a keypad and I thought that ‘Reptilia’, ‘You Only Live Once’ and ’12:51′ were the best songs ever (ah, the blossoming of my pretentious youth). Even though the albums that followed after Room on Fire were met with mixed reactions from fans I honestly thought they were pretty decent albums. Of course there were tracks from each album that I didn’t like but the songs that I did like definitely compensated for their weaker tracks. My favourite song from the band is actually ‘Razorblade’ from First Impressions of Earth (pls dun judge me). I know we can never expect them to return to the sound from Is This It but I think ‘Threat of Joy’ from this EP comes close.

The whole EP is a little something for every Strokes fan. A lot of people have been commenting on how ‘Drag Queen’ is for those who are more appreciative of JC + The Voidz’s  sound (how do I add an apostrophe if there’s a Z btw?). While ‘Oblivius’ is for those who are fond of ‘First Impressions of Earth’ and ‘Threat of Joy’ is for those who has been babbling how they miss the band’s ‘Is This It’ days. I sort of agree with the things said about ‘Oblivius’ and ‘Threat of Joy’ but I don’t think ‘Drag Queen’ necessarily reminds me of JC + The Voidz. Sure there’s an intensity from the bass but it’s subtler and it also becomes much more lighthearted than any JC + The Voidz track. I’d say that ‘You’re so Right’ from Angles is a lot more comparable to JC + The Voidz’s tracks than ‘Drag Queen’. The track kind of reminds me ’12:51′ to be honest.

I’m just on cloud nine right nowknowing The Strokes are together in the studio. I’m ecstatic but my fingers are still crossed though. I don’t need another Comedown Machine (it was nice the first time, please lord let there not be a second time).

You can listen to the EP here btw    http://cultrecords.com/

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Not Everything I’ve Come to Expect

The Last Shadow Puppets |Everything You’ve Come To Expect|

shadow art

I’m not the internet’s busiest music nerd okay, I usually listen to music at my own sweet pace. Own time own target okay, so this review is coming very late because I just got around to it and despite what Alex Turner and Miles Kane may have titled their album, it’s not what I’ve come to expect from their sophomore album.

When ‘Bad Habits’ was released, I was pretty confused. I did hear a something that was reminiscent of their first album. It included the signature orchestra sound that I adore in their music but ‘Bad Habits’ was weirdly upbeat and felt like they were trying hard to step out of their usual calm and composed sound. Trying a bit too hard to me. I don’t know, I’m just not too fond of this track.

Then ‘Everything You’ve Come to Expect’ came out and I was overjoyed to hear more new songs (besides ‘Bad Habits’) from the people who made The Age of the Understatement. Then I heard it and was slightly underwhelmed actually. It was a smooth, slow-paced and mellow track that was perfectly pleasant to listen to but it wasn’t what I thought a Last Shadow Puppet song would sound like. It lacked this dynamic energy and charm The Age of the Understatement had. But it’s more of a song that grows on you, it’s probably the bias I have towards Alex Turner, but the more I heard it, the more I kind of liked it.

‘Aviation’ seemed like similar track to ‘Bad Habits’ but a major step up from it but still just short of that TLSP charm I’m looking for. But ‘Miracle Aligners’ was a godsend (so far) for this album. It sounds very similar to that song ‘My Girl, My Guy’, which may explain why I like the song (what can I say, the hook is catchy). And the video that accompanied that song, my gosh, I haven’t giggled this much in a long time.

I have so many questions. Why are they tan? Why is Alex’s hair in disarray? Who taught them to dance? What’s up with with the flower petals in the beginning? Was Alex’s part dubbed or is he really speaking Italian? You know what, nevermind, I love the video. It’s a sweet representation of their blooming bromance that I am very jealous of.

Throughout the rest of the album, I can’t help but think that Alex’s and Miles’ newfound image of this exaggerated macho attitude has had a direct impact on the album. It sounds as if they’re trying extra hard to come across as suave and debonair. And if you stripped the album off of its orchestrated instrumentation, I think you might just get Arctic Monkeys’ AM. A very popular album, just not my favourite Arctic Monkeys album.

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The Stone Roses – All For One

We all know the legend that are The Stone Roses and the anticipation we went through for a hint of new material from the band. But ‘All For One’ doesn’t exactly hold up. I know it’s unreasonable to hold the band up against their old work but this track just seems uninspired and rushed to me. Hearing that same cliched chant about camaraderie repeatedly  is a little worn-out. The lyrics itself look like they were randomly put together and the instrumentation is just as repetitive as the lyrics, even with the guitar solo at the end that sounds just a tad generic. There’s just something missing to this track cause I know The Stone Roses are capable of more. Hopefully the simplicity of the track grows on me later on because darn it I believe in this band and maybe the rest of album will be different (please lord).

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Zodiac Shit

Just a bunch of songs that I like, gotta keep up with the indie-electronica scene ammirite? (I’m not right and these songs transcend genres honestly). But this type of music was never exactly my favourite (i’ve liked a few songs here and there), but these songs are making a case for it. And there’s  Glass Animal’s new track ‘Life Itself’ which is a bouncy one. After two years since ‘Zaba’, they’ve returned with a track that’s exotically upbeat with a sleek chorus that will spur you to get you to your feet. I mean the lyric “she said i look fat, but i look fantastic” is bound to bring out some sort of reaction.

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On My Loop: Hibou – When The Season Ends

To me, Hibou kinda sounds like the love child of DIIV and Wild Nothing. There’s a bubbly sensation to Peter Michel’s tracks that just makes me tingly all over. ‘When The Season Ends’ is a track has that has some sort of Phoenix indie-pop beat but mixed in with the light dreaminess of DIIV and Wild Nothing. Vocals may be just a tad apathetic, but hey, it goes with this style of music.

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New Tame Impala, Same Old Psychedelic Vibes

IMG-20160421-WA0003 editedThis incredible psychedelic rock outfit made their way down to Singapore’s shores once again and ooh wee did I have a great time. They were here for a previous Laneway Festival that I was unfortunately was not a part of but thank the lord they came back to grace me with their presence in an amazing location, The Star Theatre. There were assigned seats so I didn’t have to wait in line for hours just to be in the front (phew) and the seats we got were in the front row, right in front of the stage – I was ecstatic. The night was starting off on the right note and I haven’t even broken a sweat (thank goodness since I had an exam the next day, woops). The band even came out on time! (What?! Everybody always comes out late, thanks for the punctuality Kevin, appreciate it!)

Tame Impala’s music has always resonated with me, as an introverted loser whose shyness is criminally vulgar (ehh ehh see what I did there with that Smith’s reference? Man, I’m pretentious). Innerspeaker was an amazing album with songs like “Solitude is Bliss”, “Lucidity” and “Why Won’t You Make Up Your Mind” which they did play during their set. But Lonerism was a whole other level of introverted psychedelic rock anthems. This was an album that got me through some of my lowest points where I felt alienated and worthless, so thanks for the preventive measures (or songs) from a complete breakdown Parker. But seriously, “Why Won’t They Talk to Me?” had such a significant impact on me, it was to the extent that when I heard it live,  tears started to well up in my eyes.

I may have digressed a little too much but hey, that’s what Tame Impala’s music does to you – causes you to enter into a space where the colours are iridescent and your feet feel like they’re no longer rooted to the ground. If you saw me at the concert, I would be embarrassing myself by dancing in my own world and shamelessly calling out to Kevin by screaming his own lyrics to him. These moments  will be forever remembered through some embarrassing recordings of me which I am strangely proud of actually. But I’m pinning my then condition on the captivating light arrangements. The photos I have don’t exactly do justice to what I experienced that night which was like falling down a rabbit hole (a rabbit that was tripping on acid maybe, not like I would know right).

Their set had a good mix of songs from all three albums but of course they had to play a little more of “Currents” which I am not complaining about because that album was superb. From start to finish, I was on board except for maybe “Gossip”, yeah wasn’t too keen on that one. Nonetheless, this album definitely managed to elevate Tame Impala’s standing as a musical outfit. Opening with “Let It Happen”, it got me and the audience (especially me) grooving and jiving from the get go. Five songs later they played “The Moment” which had this Tears for Fears-esque sound and got me dreaming to be in the 80s with blown-out feathered hair and an earring on one ear.

And when that bass line to “The Less I Know The Better” started playing, I was all set and ready to jam out (Trevor I hate you btw, whoever you are). God bless this band for playing “Feels Like We Only Go Backwards” and “New Person, Same Old Mistakes” for the encore. The former song was definitely a crowd favourite, the audience almost overpowering Kevin’s vocals. There was also an insane amount of confetti that just added to the magical feeling of the night. “New Person, Same Old Mistakes” kind of brought out my atrocious falsetto during the bridge cause you’ve got your demons and she’s got her regrets. You cannot deny that this line is nothing short of brilliant.

The set felt terribly short and the whole thing kind of ended at a kid-friendly time of 10.30pm and I still didn’t manage to get the setlist dammnit. But I left feeling fulfilled and with a sore throat from singing my lungs out. Kevin may have been just a touch off-pitch but the whole night was an amazing experience, listening to the songs that have acted as a comforting friend for me, live, was overwhelming. Thank you so much and just come back okay.

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